DURING this trip the American papers were once more exceedingly kind to
me. Had I paid thousands and thousands of dollars I could not have secured
a tenth part of the publicity they gave me. This is where my lucky star
has always come to my aid. Quite apart from any quality of freshness and
originality which may have been in my "act," the U. S. A. press helped to
make me a public character. If I was asked to visit the Mayor in his civic
parlour there was a column about it next morning. If I attended a
Caledonian function of any kind the fact was reported—with photographs of
me in my kilt shaking hands and smiling my broadest smile. If I went to a
hospital ward and entertained the inmates, the youngest child in the place
was "introduced" to me and again the flashlight brigade was in action to a
man! I honestly never asked for all this publicity and I do not think Will
Morris had much to do with it either at that time. Later, of course, he
pulled all sorts of stunts in subsequent tours and I remember that I used
to become thoroughly tired of the way he worked me quite apart from my
stage business. But during this first trip under his wing both press and
public seemed to lionize me of their own accord. Indeed at the end of the
fourteen weeks I was glad to get back again to Britain for some rest and
recreation. So my career went on for several years. I would play a few
months at home filling old contracts and making new ones—at prices which
made the managers take deep breaths as they nervously attached their
names—and then would whisk off to the States for three, four, or six
months according to how I could arrange releases from my engagements
in England. Often I had to pay sweetly for the privilege of postponing
some of my bookings. Tom and Foster generally carried through these
negotiations between them and that combination of Scot and Jew achieved
marvellous results even in cases where I had sorrowfully made up my mind
that parleying was useless. While Tom put over the rough stuff—and no man
ever had a servant so absolutely devoted to his master's interests as I
have had in Tom Valiance— Foster provided the oil of suavity—the "smoosh."
Naturally the British managers hated to have any of their Lauder dates
interfered with but most of them had begun to realize that it was better
to have me for a friend than an enemy and so they made possible for me my
now yearly trips to America. Not only so but the more discerning of them
actually agreed to substantial increases of salary when I did fill in
dates for them. A few days ago I met my old friend Sir Walter de Freece at
a dinner in London and he was reminding me of an incident in this
connection which made me laugh very heartily.
"Don't you remember, Harry," he said, "coming up to my office one day with
a hank of red flannel round your neck and coughing as if the tomb was
waiting for you? You wanted to postpone certain engagements in the
Midlands which you had with my firm so that you could get away to America
sooner than you otherwise would have done. There were two weeks' bookings
in between my dates and I asked you what you were going to do about them.
'Oh, I can't postpone these,' you replied. 'I'm getting twice the money
there that you're paying me.' And don't you remember how your cough
vanished immediately when I began to speak about doubling your
contract-price?" Sir Walter's story was not strictly true but there was
enough accuracy in it to make me chuckle and offer to buy him a drink—of
lemonade. In the New Year season of 1910-11, I
played another Glasgow pantomine. That was an ever-.memorable engagernent
for me because on the opening night I sang "Roamin' in the Glomin'" for
the first time. If "I Love a Lassie" had been a great success under
similar circumstances five years before this new lyric was a triumph. It
captivated the public ear as no other song of mine has ever done—or will
do until I come to sing "Flower o' the Heather." I had kept it up my
sleeve for a year or two before producing it. I rehearsed it ten thousand
times; I worked on it every day and often in my bed at night. I tried a
dozen different costumes before I decided how I would dress for it. I
studied each and every syllable of the words, every note and intonation of
the music. The song was an obsession with me for months and months. I
remember crossing on the Lusitania once with Lord Northcliffe. and among
the many interesting things this amazing man told me was a little story I
have never forgotten. It was about a small shoemaker who invented the tags
for bootlaces and made a fortune out of his notion. "How did you come to
hit on the idea of putting steel points to the ends of laces?" Lord
Northcliffe asked the shoemaker on meeting him many years afterwards. "By
thinking of nothing else than boot laces for twenty years!" replied the
inventor. Well, I thought about nothing else
than this song from the evening, a year or two previously; the title came
suddenly to my mind. I had been out strolling in the cool of a fine summer
night near my house at Dunoon. Every now and then I happened across a
couple of lovers linked close together as they slowly "dandered" along the
road to Inellan in the gathering dusk. They were oblivious to everything
save the sweet nothings they whispered into each other's ears. The words
of Burns came back to me as I passed first one pair and then another:
If heaven a draught of heavenly pleasure spare, One
cordial in this melancholy vale 'Tis when a loving, youthful, modest
pair In other's arms breathe out the tender tale Beneath the
milk-white thorn that scents the evening gale.
There they go,
bless them! I said to myself. The old, old story. The ever new, entrancing
story. What a perfect night, what a picturesque road, for love-making! No
time so sweet for amorous dalliance as in the gloaming. Roaming in the
gloaming! Suddenly I stopped dead. Roarnin' in the Gloamin'. If ever a
phrase deserved a song this did! What a title for a love lyric! Instead of
going home I went up the hill behind Laudervale and hewed out a rough
verse and chorus. Next day I had the song complete, words and melody, but
months and months elapsed before I had all the "trim mings"—the patter,
the expressions of the face, the essential etceteras---just to my liking.
I tell you all this about "Roamin' in the Gloamin" because people in every
corner of the world seem to like it best of all my purely love songs and
have asked me how I came to hit upon such a simple but eternally appealing
theme. In September, 1909, I had the great honour of my first Royal
command performance. Curiously enough I was playing at the old Paragon, in
the Mile-End Road, London, when the royal communication reached me so that
the situation was evolved of a Scotsman singing to Jews—practically all
the Paragon patrons were drawn from the ancient race— being commanded to
sing before our King at one of the oldest and most noble palaces in the
country. King Edward was on a visit to Lord and Lady Savile at Ruord
Abbey. The host and hostess suggested to his majesty that perhaps he would
like to be entertained by a leading artiste one evening during his visit.
"Tell Harry Lauder to come and sing to us!" said King Edward. So down I
went to Rufford Abbey, taking my son John with me as accompanist. We were
most hospitably received by Lady Savile to whom I submitted my programme.
In her turn she submitted it to King Edward. It
contained a list of my songs and I had imagined that perhaps his majesty
would indicate those numbers he would like to hear.
Imagine my astonishment when her ladyship returned with
the Royal command that I had "just to begin at the beginning of the list
and his majesty would tell me when to stop!"
My concert took place in what seemed to me to be one of the greatest
underground vaults of the turreted castle. As there was a big house party
at the Abbey for Doncaster Races the audience numbered forty or fifty
people. The King sat well forward in the "Stalls" beside his host and
hostess; near them were many lords and ladies and other members of the
British aristocracy while in the rear seats were gath ered the officials,
esquires, lacquays, butlers, footmen, and maidservants down to—I
presume—the humble dishwashers and stable grooms. There was a nice little
stage with a piano in one corner to which John tremblingly advanced when
Lady Savile gave us the signal to begin. I began with "I Love a Lassie,"
went on with "Tobermory," "We Parted on the Shore," "Stop Yer Ticklin',
Jock!" and before I knew where I was, so to speak, I had sung half a dozen
songs. But still there was no indication from the great personage in the
"front of the house" that he had had enough. So I just went on to sing
every song that I had jotted down on the list, ten in all, and ending with
"When I Get Back Again to Bonnie Scotland." That number finished I went to
the footlights, bowed several times and nodded to John to leave the piano.
"And that's all I can sing tonight," I announced, "because I have no more
music with me!" As a matter of fact I was completely exhausted.
A few minutes later I was having a rub-down in the
dressing-room when a Royal equerry came to say that his majesty wanted to
see me. "Like this?" I asked jocularly, indicating the state of nakedness
in which I was at the moment. The official laughed, said he would explain
to the King and that perhaps his majesty would wait for me. He did so—and
I can truthfully say that I am one of the few men in the world who ever
kept a King waiting! A few minutes afterwards I was making my obeisance to
his majesty and he was pleased to tell me that he had thoroughly enjoyed
my performance as well as the playing of my son at the piano. King Edward
was not only a great monarch but he was a man through and through.
I have also sung to King George and Queen Mary several
times. The first occasion was when, as Prince and Princess of Wales, they
were visiting an East-end district of London for some charitable object. A
special concert was organized in the local town hail and I was one of the
stars asked to assist. Later, when they had succeeded to the throne, they
came to hear me at the Palace Theatre, London and only three years ago I
was commanded to give a special performance at Balmoral Castle, that
comparatively small but beautiful royal residence on lovely Deeside. Their
majesties were exceedingly gracious to Lady Lauder and myself and gave us,
amongst other mementoes of the occasion, two handsomely framed
photographs, each of them autographed. They are on the piano in my
drawing-room at Laudervale and, needless to say, I hold these photographs
in very high esteem.
Writing about my meetings
with British royalty reminds me of an altogether unique incident which
occurred at the Palace Theatre the night King George and Queen Mary came
to see my performance. Mr. George Ashton, the well- known London concert
agent, who usually manages all such outings on behalf of British royalty,
came round to the dressing-room and said that their majesties desired to
have a chat with me in the Royal box. Of course I went up at once and
remained with the King and Queen for perhaps seven or ten minutes. They
were keenly interested in my American experiences for one thing and for
another they asked me all about my songs, how I got the ideas for them,
and how long I practised them. On making my way back to the dressing- room
Mr. Ashton appeared in the corridor and with him was the Duke of
Connaught. I was introduced to his royal highness and was standing
speaking to him when Ashton moved off up the corridor. "Well, good-night,
George," I shouted after him, "and good-luck!" Before the words left my
mouth the King had emerged into the corridor from his box. With a broad
smile on his face he turned in my direction and cried out, "And good-night
and good-luck to you, Harry!" I was overwhelmed with confusion at the
awful thought that I might be held as taking jocular liberties with the
King-Emperor and stood riveted to the spot. But King George went off
laughing very heartily at his own joke.
The
Prince of Wales I have had the honour of meeting several times. In fact we
are quite good friends. I have had him in my dressing room more than once.
He is a splendid fellow and easily the most popular young man in Britain—
aye, in the wide world. No wonder he is such a favourite wherever he goes
for there is absolutely no "swank" in his make-up. Sunny-natured, with
great freedom of manner and devoid of every semblance of hauteur, he has
won the love and affection of the common people as no prince has ever done
in the history of our land. Over in the States, too, he is just as big a
success; I always say that we ought to send him across the Atlantic for a
few months every year. He would do more good in the glorious cause of
Anglo-American friendship than a dozen ambassadors no matter how skilfully
chosen! Once the Prince came to the London Hippodrome when I was "on the
Bill" there. It was at a time when rumours were unusually rife in London
as to his forthcoming engagement and naturally everybody was dying to know
just who the lucky girl was. He sat in a box and was so enthusiastically
entering into the evening's fun that before I left the stage he cried out,
"I Love a Lassie, Harry!" joining with others in the audience in the
request for this old favourite. Quick as lightning I looked up at him and
replied, "Yes, I know you do, but we all want to know who she is!" The
people rocked with merriment while his royal highness also lay back and
laughed heartily. Once when I was speaking to him privately I expressed
the hope that he would follow the excellent example of his brother the
Duke of York and marry a Scottish bride. "I might do worse, Harry!" was
all he would commit himself to. Amongst my collection of twisted sticks
which I use in my different character studies is one brought home from
Japan by his royal highness specially for presentation to myself. When the
Prince saw this stick out there he said, "I must take it home to Harry
Lauder!" And he did.
After an unusually long
engagement in the States I was entertained at a welcome-home banquet in
London. Lord Dewar was the chief man behind the scenes in arranging this
function and he himself took the chair. As usual be made a most witty
speech the key-note of which was that Harry Lauder and Dewar's whisky were
the greatest cementers of Anglo-American friendship. As an after-dinner
speaker I think I would rather listen to Lord Dewar than any other man in
the world, although an old United States Consul in London, a gentleman by
the name of Griffiths, once had the reputation of running him very hard.
Lord Dewar is an unfailing mine of wit and wisdom whenever he gets on his
feet. I have seen and heard dozens of London audiences rock with laughter
at his brilliant epigrams and quaint, sardonic philosophy. He has just the
slightest impediment in his speech—it is not that exactly but rather a
mannerism of hissing certain words—which makes his utterance all the more
attractive. Not one of the ordinary tricks of the orator is exploited by
Lord Dewar; he makes his points by sheer intellectual ability and by a
sense of humour unsurpassed in any living man.
It is one of the greatest pleasures of my life that I
am on terms of intimate personal friendship with his lordship. I often go
down for a week-end to his wonderful country seat in Sussex where he has
hundreds of acres given over entirely to what I call his menagerie. There
are farms wholly devoted to horses, poultry, goats, and pigs, kennels for
greyhounds, lofts for pigeons, ponds full of water-fowl; you could spend a
week at East Grinstead and never see half of the animals within its
borders! There must be thousands of them—and every one thoroughbred. There
is no room on Lord Dewar's estate for any horse, cow, dog, or fowl of low
degree! They are the aristocrats of the British animal and feathered
world. Perhaps the favourite of all this multifarious collection in the
eyes of their owner is the sultan of the racing stud, Abbot's Trace. This
horse was leading in the Derby of his year when he fell coming up the home
straight after showing terrific speed for fully a mile. Every- body
thought he was dead but he got on his feet after all the other horses had
passed him and walked back to the paddock. His owner was bitterly
disappointed for he thought "the Trace" was sure to win the Blue Ribbon of
the English turf. Trainers and other owners told Lord Dewar that his horse
was no good and strongly advised him to sell Abbot's Trace. That he would
ever be a famous sire was a proposition they laughed to scorn. But his
noble owner had faith in the horse. He kept him because he loved him! And
his belief in the quality of the old horse has been more than justified
for his sons and daughters won more races last year than the progeny of
any other sire, including some of the most important races in the
calendar. Even in America a son of Abbot's Trace heads the list of winning
racehorses down Kentucky way. Nothing gives Lord Dewar so much delight as
to note that an Abbot's Trace colt or filly has again caught the judge's
eye. Not even the report that America was giving up prohibition would
please him better than to see one of his old favourite's sons winning a
future Derby. His lordship once played a very
mean trick on me. Admiring his pigeons one day at East Grinstead I threw
out the suggestion that a few of the lovely birds would look very nice
flying round my eaves and turrets at Glen Branter, the West Highland
estate I bought just before the war. His lordship said he would be
delighted to send me a pair of his very best birds.
"In case you may forget," I replied pawkily, "I'll just
take them with me; I am going up to Scotland tomorrow." So the birds were
put in a basket there and then and next day they travelled with me to the
north. I put them in a beautiful "dookit" which I had ordered by telegram
to be prepared for them. But the moment they were given their liberty they
disappeared. They were homing pigeons and were back at Lord Dewar's place
before he got my letter complaining bitterly of the joke he had played on
me. That's the kind of present one Scot gives to another!
Many are the good stories told about Lord Dewar. All
sporting Britain was chuckling a few weeks ago over a letter he wrote to
one of the racing papers. A correspondent had been taking him to task for
naming so many of his horses Abbot's Smile, Abbot's Remorse, Abbot's
Speed, Abbot's Frown, etc. It simply led to hopeless confusion on the part
of backers, said the correspondent, and was quite as bad as the situation
which evolved on the English turf some years ago when a famous sire named
Bachelor's Button had a hundred sons and daughters running under the name
of Bachelor's This or That. In his reply to the complaint Lord Dewar
admitted the confusion but neatly urged that surely an Abbot had as much
right to boast of his progeny as a Bachelor!
At a recent big London function Lord Dewar found himself seated next to a
very pretty girl with the hyphened surname of Porter-Porter. Whether his
lordship had not caught the double name or was disinclined to use it I
don't know but the story goes that after being addressed as Miss Porter
several times the young lady turned tartly to Lord Dewar and pointed out
that, "my name, if you please, is Porter-Porter with a hyphen!" "Ah!"
swiftly retorted his lordship, "just as mine is Dewar-Dewar with a syphon!"
When Will Rogers—whose unofficial letters from Europe
to the President of the United States were to my mind, the most amusing
things I ever read—was in London some months ago it was the aim of dinner
promoters to get Lord Dewar and Rogers on the same "bill." The result was
a duel of wits unexcelled in the history of after-dinner oratory on this
side of the Atlantic. They said the most cruel and disgraceful things
about each other but in such clever language that the diners were
convulsed with laughter. At one function where Lord Dewar had first
innings he frankly asserted that the first time he heard Rogers he was
convinced that the man was not "all there" but later in the evening Will
completely turned the tables by stating that the first time he heard Dewar
speaking in public he was certain that "this lordship bird" was "soused to
the ears!" Unluckily for the entertainment of London society Will Rogers
had to return to the States after a very brief visit and the battle
between the two wits is suspended—temporarily only, it is hoped.
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