IT is not commonly known that Glasgow
possesses what are probably the earliest portrait sculptures in
Scotland. It is matter of frequent regret that no contemporary
portraits exist of the great national heroes, Sir William Wallace
and King Robert the Bruce. Of Wallace there is nothing but the
verbal description by Henry the Minstrel, and of King Robert there
is only the rather unreliable representation on a few coins of his
reign. Glasgow, however, possesses authentic portraits of royal and
notable personages of fifty years' earlier date. The only earlier
portrait of any kind known to exist in Scotland is contained in an
illumination in the Kelso chartulary, which is believed to represent
King David I. The Glasgow sculptures form bosses in the vaulting of
the lower church of the Cathedral, and are believed to date from
about the year 1248, and to represent King Alexander II., Bishop
William de Bondington, Comyn, Lord of Kilbride, and his lady, and
King Alexander III. as a boy. All these personages were concerned
with the completion of the building of the Cathedral, and their
likenesses are vivid and realistic after the lapse of nearly seven
centuries. [Casts of these sculptures, made for the Scottish
National History Exhibition of 1911, are to be seen in the city's
Art Galleries at Kelvingrove.] Next in date of portrait sculptures
in possession of the city is the bust of the redoubtable Zachary
Boyd, minister of the Barony, whose faithful dealing with Oliver
Cromwell on his visit to the city in 1651 is a familiar tradition.
For two centuries it occupied a niche above the doorway in the
quadrangle of the old College in High Street, and now occupies a
place of honour in the University at Gilmorehill. Of about the same
period are the fine statues of the brothers Hutcheson, founders of
Hutchesons' Hospital and Schools, which at first stood on each side
of the tower of the original hospital in Trongate, looking northward
over the garden acre, and which now look down Hutcheson Street from
the front of the more modern building.
Next in date came Glasgow's first
equestrian statue, the representation of King William II. and III.,
which stood for more than a century and a half at Glasgow Cross,
but, as part of the work of widening the thoroughfares, has now been
removed to a grassy plot among the trees in Cathedral Square. This
statue was presented to the city in 1734 by a very remarkable
personage, whose figure, as he passed along the streets in his
gold-laced hat and coat, must have been regarded by most of the
townsfolk with not a little curious awe. The steed and its rider
were looked upon by the citizens of its time with pride and wonder.
John McUre, whose History of Glasgow was published just two years
after the erection of the statue, bursts into enthusiastic song on
the subject:
Methinks the steed
doth spread with corps the plain,
Tears up the turf, and pulls the curbing rein,
Exalts his thunder neck and lofty crest,
To force through ranks and files his stately breast!
His nostrils glow, sonorous war he hears,
He leapeth, jumpeth, pricketh up his ears,
Hoofs up the turf, spreads havoc all around,
Till blood in torrents overflows the ground!
But the actual life story of the
donor was still more calculated to inspire the epic muse. James
Macrae was the son of a poor washerwoman at Ayr, and was born in
1677. Against his mother's wishes, it is said, he ran away to sea in
1692. The years that followed are clouded with a good deal of
mystery. The ship in which he sailed is said to have been captured
by pirates, and it has even been suggested that Macrae himself
sailed for a time, willingly or unwillingly, under the black flag.
Ultimately he entered the service of the Honourable East India
Company, and in 1720, as Captain Macrae, was sent on a special
mission to the west coast of Siam. There he dealt so shrewdly and
successfully with the commercial abuses which were imperilling
trade, that on his return he was made Deputy Governor of Fort St.
David. From that post he was promoted presently to Fort St. George,
and in 1725 took over the Presidency of Madras. There he effected
great reforms, reducing expenditure and rearranging the mint. At the
same time he appears to have "shaken the pagoda tree" in not less
effective fashion, for in 1731 he returned home with an immense
fortune in specie and precious stones. In his native town he made
enquiries regarding his mother. She was dead, but he learned that in
her last years she had been cared for by her niece, Bell Gardner,
the wife of Hugh McGuire, a joiner, who was also in request as a
fiddler at penny weddings and other merrymakings, in the Newton of
Ayr. McGuire and his wife had a family of four, a son and three
daughters, and, by way of return, Macrae undertook to educate and
provide for them. This he did in no perfunctory fashion. To the
eldest, Lizzie, when she married the Earl of Glencairn, he gave the
fine estate of Ochiltree, with diamonds, it is said, to the value of
£40,000. The second daughter, Margaret, he dowered with the estate
of Alva, and she married James Erskine of Barjarg, who, as a judge
of the Court of Session, took the title of Lord Alva. The third
daughter, Macrae, married Charles Dalrymple, sheriff-clerk of Ayr,
and succeeded the benefactor of the family in the neighbouring
estate of Orangefield. To the son, James McGuire, who adopted the
name Macrae, the nabob gave the Renfrew-shire estate of Houston. The
son of this laird of Houston was the notorious swashbuckler who shot
Sir George Ramsay in a duel on illusselburgh links, and was in
consequence outlawed and died in poverty.
Meanwhile Macrae had become a burgess
of Glasgow, and presented the city in 1735 with the bronze
equestrian statue of King 'William which, for over a century and a
half, stood, the pride of the citizens, at the Cross. [A curious and
perhaps unique feature of the statue is the horse's tail, which is
hung on a ball and socket joint, and waves in the wind. Four cannon
planted at the corners of the pedestal in the statue's original
situation are said to have been relics from King WiIliam's great
victory at the Boyne. (Burgh Records, 24th March, 1737.) Two of
these cannon have disappeared. The remaining two, no longer required
to protect the pedestal from street traffic after the removal of the
statue to Cathedral Square, were presented to the author of these
pages by the Town Council in 1932.] He resided chiefly on his estate
of Orangefield near Ayr, though in the title-deeds of that property
he is designated as "of Blackheath in Kent"; and he died at
Orangefield on 21st July, 1744. But Glasgow was still to benefit in
another detail from the wealth of the mysterious old nabob. In
December, 1745, when Prince Charles Edward and his army took up
their quarters in the city, and made heavy demands for money and
clothing, Macrae's adoptive son-in-law, the Earl of Glencairn, lent
the magistrates £1500 at 42 per cent, to meet the requisition. [It
was the son of this Earl of Glencairn and Lizzie McGuire who proved
so useful a friend to Robert Burns when he made his first venture in
Edinburgh, and he owed his information regarding the poet to his
cousin, the laird of Orangefield.] Macrae himself lies in Monkton
churchyard, where a monument was erected to his memory in 1750.
[Curiosities of Glasgow Citizenship, p. 29; Glasgow Past and
Present, i. 362 Paterson's History of Ayrshire, 596; Cochrane
Correspondence in Maitland Club, p. 123; Cleland's Annals, i. 102;
Burgh Records, 2nd January and 23rd July, 1733, 15th September,
1736.]
The gift of King William's statue was
all the more acceptable to the citizens of Glasgow, since it made a
very elegant ornament for the front of their new Town Hall and
Assembly Rooms, the erection of which followed almost immediately.
Until the eighteenth century there
was no place of public meeting in the city, and the Town Council
held its deliberations in the Tolbooth. As early as the year 1400,
and perhaps much earlier, a pretorium, tolbooth, or seat of the
civic authority, had stood at the market cross, on the site
adjoining the existing Tolbooth steeple. The stone with the city
arms now built into the wall of that steeple is said to be a relic
of this early pretorium. Its carving is held by experts to be work
of the fourteenth or fifteenth century, the salmon supporters of the
shield bearing a close resemblance to the same insignia in the
Cathedral chapter-house. About 156o, the time of the Reformation,
when the civic authorities began to aspire to independence of their
ancient superiors, the archbishops, the early pretorium was taken
down, and a second Tolbooth built on its site. This continued in use
till 1626, when the really fine building was erected, of which the
remaining Tolbooth steeple formed a part. For over a century this
building continued to serve both as a prison and as the
meeting-place of the Town Council and the Town Clerk's office.
The Town Council, however, had begun
to feel the need of more spacious accommodation. Accordingly the
foundation stone of the first Glasgow Town Hall was laid by Provost
Coulter in 1736 on the site adjoining the Tolbooth in Trongate,
where the town house and place of business of George Hutcheson had
formerly stood. [The tenement on the site was bought from John
Graham of Dougalston for 1840, and the "lands" in its rear for £122
10s. (Burgh Records, 2nd May, 18th November, 1735.)] The building
had an arcaded front with Corinthian pilasters, and the keystones of
the six arches were ornamented with grotesque faces from the chisel
of the builder's foreman, Mungo Naismith, which long excited the
wonder of the gaping crowd, and some of which, after more than one
removal, figured later in the cornice of Messrs. Fraser and Sons
warehouse at the foot of Buchanan Street. [Strang, Glasgow and Its
Clubs, p. 9. When the spire of the Cathedral was struck by lightning
in 1756, Mungo Naismith was the genius who devised the scaffolding
for its repair. When the Town Hall was taken over and extended by
the Tontine syndicate in 1781, four masks were added by another
hand, and the carvings altogether got the name of the "Tontine
Faces." There was also another "mason and carver," David Cation,
who, with an apprentice, spent fifty-nine weeks in decorating the
new Town Hall, and who carved most of the capitals and other
sculptured decorations in the new St. Andrew's Church (Burgh
Records, 22nd September, 1741).] There were three chambers in the
top storey for clerks and committee meetings, a splendid apartment
on the first floor with six Iarge windows, a twelve-foot marble
fireplace, and a magnificent domed ceiling. This formed the new
meeting place of the Town Council and was decorated with the royal
portraits. Another fine apartment, 47 feet long, provided an
Assembly Room for fashionable gatherings. There was also a
coffee-room, which, like the arcade in front of the building, served
as an exchange, while on the ground level, behind the covered
arcade, were four shops. [Burgh Records, 26th October, 1738;
Gibson's History, p. 144.]
When the building was finished in
1740 the Town Council moved out of the Tolbooth (there was a
connecting doorway from the Tolbooth stair) and proceeded to hold
its meetings in the more spacious quarters. [The Tolbooth of 1626
survived till 1814, when it was taken down by Dr. Cleland, Glasgow's
superintendent of works and annalist, who erected a tenement for
bank and offices on its site. This building in turn was demolished
in 1915, when the High Street was widened, and, after much debate,
the old Tolbooth steeple was left standing by itself in the middle
of the thoroughfare.]
At the same time social fashions and
ideas were changing. The strictness of the Covenanting spirit was
being modified by wider and more generous views of life acquired
from increasing intercourse with the world abroad. As early as 1723
there had been started in Edinburgh a weekly "assembly" at which
young people met for the purpose of dancing. The ball there opened
at four in the afternoon, and closed strictly at eleven. Tickets,
without which there was no admission, were half a crown each, and
discreet matrons ruled the proceedings and upheld the proprieties
with a rod of iron. [Chambers, Domestic Annals, iii. 480.]
Notwithstanding the opposition of the
stricter sort of ministers, and the writings of perfervid
Cameronians like Patrick Walker, who regarded dancing and all social
enjoyment as actual lures of the devil, the fashion was not likely
to be long in reaching Glasgow. For some time the teaching of
dancing had been subsidised by the magistrates, one Daniel Barrell,
a dancing master, being paid £10 a year "for his encouragement."
[Burgh Records, 27th Sept. 1734.] So far, however, there was no hall
in the city available for the holding of social gatherings of this
kind. There was only a small assembly room, built by subscription,
in the Trongate. But the opening of the grand new Town Hall and
Assembly Rooms made a new departure, and thenceforth, on the
evenings of these social occasions, sedan chairs in numbers were to
be seen making their way along the dim-lit streets, to set their
fair burdens down at the doors of this new and fashionable gathering
place. [Strang, Glasgow and Its Clubs, p. 14.]
A still more important undertaking of
the same date was the building of St. Andrew's Church. The
enterprise may have served to placate the more serious minded of the
citizens, as the new church was not too urgently required, and the
preparations for it, as well as the actual work of erection, were
spread over a period of years. The town, however, had been divided
into six parishes, and so far there were only five churches and a
meetinghouse to provide for them. There were the Inner and the Outer
High Churches, occupying the Cathedral, the Laigh or Tron Church
near the Cross, the Blackfriars Church in High Street, and the
North-west or St. David's Church at the Ramshorn. The sixth
congregation was accommodated in a meeting-house in the New Wynd.
[The New Wynd Church was built by a party of privileged
Presbyterians during the period when Episcopacy prevailed in
Glasgow. It was covered with thatch, and opened in 1687."—Cleland,
Transactions of Glasgow and Clydesdale Statistical Society, 1836, p.
19.] Besides these, there was, of course, the congregation of the
Barony, or landward part of the ancient domain of the archbishops,
which had its home in the crypt or lower church in the Cathedral. In
1722 the stipends of the six city ministers had been raised, out of
the proceeds of the two pence per pint tax on ale, from £ro8o Scots
(ego sterling), to 2000 merks (£111 sterling). [Burgh Records, v. p.
xxiv.]
There was no immediate hurry for the
re-housing of the congregation in the New Wynd meeting-house, when
in 1734 the Town Council began preparations by purchasing a "yard"
or garden, belonging to Patrick Bell, on the south of the Gallowgate
and the Molendinar. The price demanded was £300 sterling
(twenty-four years' purchase) with the right to a table seat in the
church to hold nine or ten persons, rent-free, to Patrick Bell and
his heirs as long as they lived in the burgh. [Ibid. 25th June,
1734.] Further purchases of "alleys" and "yards" were made from
"Fair John" Luke of Claythorn [Ibid. 1st Nov. 1734, 24th June, 1735.
The site of the Claythorn estate, patrimony of the Lukes for several
generations, is commemorated in the name of Claythorn Street, off
Gallowgate.] and others, and in course of time St. Andrew's Lane and
St. Andrew's Street were opened from Gallowgate and Saltmarket
respectively. Stone for the building was secured from the
Crackling-house quarry, the site of the present Queen Street railway
station, and the erection of the church was begun in 1740. Thirteen
years later the work was still going on, when the meeting-house in
the New Wynd threatened to collapse, and its materials were sold,
"timber, glaswork and iron work and thatch rooff." [Ibid. 20th Feb.
1753.] The new place of worship was not opened till 1756, having
been twenty years in preparation, but St. Andrew's Church remains
till the present day one of the noblest churches built for
Presbyterian worship in the kingdom. [Its Corinthian pillars and
other carved work were the handicraft of David Cation,whose charges
and those of the other tradesmen were constantly being paid by the
Town Council, and must have amounted altogether to a prodigious
sum.]
The rate of progress of this building
would seem to indicate some slowing down of the religious fervour of
the community. These, nevertheless, were the years of the great
ecclesiastical movement known as the Secession in the Church of
Scotland. The movement owed a large part of its origin to certain
occurrences in Glasgow itself. In the early years of the century
there had been a growing feeling among the stricter adherents that
the Church was becoming too tolerant of changing opinion, and too
moderate in its own attitude towards life and thought. The first
open clash of battle was brought about by the teaching of a
professor in the University of Glasgow. John Simson, who occupied
the Chair of Divinity in the College in High Street, was a
metaphysical thinker suspected of teaching erroneous doctrines not
far removed from the Rationalism of the present day. He was
arraigned before the General Assembly on a charge of heresy, and the
case dragged on before the church courts with protracted debates and
ever-increasing bitterness, but without decision, for some fifteen
years. While controversy was raging over the case, the Rev. Thomas
Boston of Ettrick, author of The Fourfold State, discovered, among
the few books left by a soldier who had died in his parish, an old
volume, The Marrow of Modern Divinity, by Peter Fisher, an author of
the Puritan period. The book fascinated him, was passed from hand to
hand among his friends, and was presently republished as an
awakening fiery blast against the Moderatism and toleration of the
Church. In 1720 the General Assembly passed an Act denouncing the
book, and forthwith there arose over it the great " Marrow "
controversy, which was to have serious and far-reaching
consequences. [Hill Burton, viii. p. 399.]
Feelings were further inflamed by an
Act of the General Assembly in 1732, regulating the method of
calling ministers to vacant churches. The Act ran on the lines of a
model which had been adopted in Glasgow eleven years earlier, but
with the important difference that the actual call was not to be
made by the church members, but by the elders and heritors, who
might be Episcopalians, Jacobites, or freethinkers. [Burgh Records,
25th April, 1721.] The quarrel reached a crisis when Ebenezer
Erskine, moderator of the Synod of Stirling and Perth, preached a
sermon before that body denouncing the General Assembly and all its
works. From that hour the movement grew and the Secession Church
gradually took form, denouncing in its "Testimony" not only the
grievances of patronage and the toleration of popery, but the
toleration of "the profane diversions of the stage, together with
night assemblies and balls" and the repeal of the penal statutes
against witches. [Hill Burton, viii. p. 408 and 409 note.]
In 1740 this first great secession
from the Church of Scotland took effect in Glasgow, and a body of
the seceders, forming themselves into an Associate Congregation,
built themselves a church in Shuttle Street. Seven years later the
seceders split over the question of the burgess oath, and the
Antiburgers set up a church for themselves. And three years later
still, as an outpost of the Church of England, St. Andrew's
Episcopal Chapel beside Glasgow Green opened its doors. [Burgh
Records, vi. p. xv. Previous to this there was a Scottish Episcopal
congregation in the city. Survivors of the Revolution, its members
gathered themselves together in 1703, and they met successively in
various quarters, but they never had a regular built church till the
nineteenth century, when they built St. Mary's in Renfield Street.
It is this congregation which now worships in St. Mary's Cathedral,
Great Western Road (Mitchell's Old Glasgow Essays, p. 61.)]
The religious fervour of certain
sections of the people of Glasgow and its neighbourhood at that
period was no doubt increased by the visits of George Whitefield the
evangelist. His great Calvinistic revival, the "Cambuslang dark,"
took place in the summer months of 1742, and cannot have been
without effect in the city, though the magistrates, in compliance
with the orders of the Synod, are said to have refused him the use
of the Cathedral churchyard when he returned six years later.
[Whitefield visited Glasgow several times. In 1742 he led the
Cambuslang "Wark"; in 1748, refused the Cathedral churchyard, he
preached in a field near Gorbals; in 1753, permitted the churchyard,
he preached the sermon which is said to have incited his hearers to
destroy Glasgow's first theatre at hand; in 1757 at the request of
the magistrates he preached a sermon «hick brought a collection of
£58 for the poor of the city; and in 1758 he preached the sermon
whose proceeds enabled the Highland Society to build the Black Bull
Inn. |