NEWTON-UPON-AYR--THE CONSTITUTION OF
THE BURGH--THE CHURCH AND ITS PASTORS--THE AULD AND NEW BRIGS OF AYR--WAS
BURNS A PROPHET?--THE HIGH STREET OF AYR--THE SITE OF THE TOLBOOTH--THE
OLD CHURCH AND GRAVE-YARD--PROVOST BALLANTYNE--ROBERT AIKEN--HEROES OF
"THE KIRK’S ALARM"--THE MARTYRS’ STONE--A CURIOUS EPITAPH--DAFT RAB
HAMILTON.
The situation of
Newton-upon-Ayr is not striking, nor is its neighbourhood remarkable for
beauty. Although containing a population of 4686 souls, and forming part
of the Parliamentary burgh of Ayr, it has few manufactures and little
traffic, and as to its buildings, they are of such a common-place
description that a rambler might stray though its streets without
harboring a wish to linger on his way. The constitution of the burgh,
however, is of some interest on account of it being only paralleled by
Prestwick, but when it was created cannot, at this date, be ascertained
with certainty, its original charter being lost. Notwithstanding this,
tradition states, and the freeman affirm, that the lands were conferred by
Robert the Bruce upon forty-eight individuals who disintuited themselves
at the battle of Bannockburn. This may, or may not have been, but it is
certain that the privileges enjoyed by the burghers in early times were
renewed by a charter from James VI., which empowered the
community--as
the forty-eight participators are termed--to grant feus and divide amongst
themselves the lands acquired by their ancestors, and also to elect two
bailies, one treasurer, and six councillors.
Each lot or freedom
extends to about six acres of arable land, and the right of succession is
limited to direct descent. For instance, a son succeeds to his father; and
a widow, not having a son, enjoys the property of her husband as long as
she lives, but daughters are excluded from benefit, and the consequence is
that freedoms frequently revert to the community. These, however, are not
retained, but disposed of to the most respectable and industrious
inhabitants of the burgh, and in this manner the commune has been kept in
existence. At this date many of the freedoms have been disposed of, and
the privileges which the charter conferred are of no practical utility,
but notwithstanding, the freeman are still the superiors, and meet
frequently to transact business.
Wallacetown adjoins Newton,
and is also part of the Paralimentary burgh of Ayr. It originated toward
the end of the last century, and is entirely build on ground feued from
the Wallaces of Craigie.
The church, and ancient
churchyard of Newton, are hid from view by the Council Chambers--an
odd-like building which stands near the centre of Main Street--but they
afford no inducement to the rambler to linger by them. The church,
however, although obscurely situated, has gained a kind of celebrity on
account of the number of ordinations which have taken place in it since
the Disruption, and the fact that many of its clergymen have risen to
eminence. For instance, the Rev. Dr, Caird, Principal of Glasgow
University, was its minister for some time; as also, the Rev. John Stuart
of St. Andrew’s Edinburgh; the Rev. Dr. George Burns of Glasgow Cathedral;
the Rev. Dr. Wallace, formerly of Greyfriars, Edinburgh, and now editor of
the Scotsman;
the Rev. John McLeod (cousin of the lamented
Dr Norman); and others equally deserving of notice.
From Newton I passed
through Wallacetown and sought the Auld Brig o’ Ayr--a ponderous
old-fashioned structure of four lofty arches, whose weed-covered
buttresses and solid architecture have, according to general belief,
witnessed the passage of six hundred ears and the many changes which
have followed in their train. A pretty little legend has it that the old
pile was erected by two maiden ladies named Lowe to prevent the annual
loss of life which ensued from the crossing of a ford near the spot it
occupies, and that the chief incitement to the praiseworthy act was the
melancholy circumstance of a young man to whom one of them was betrothed
having perished while attempting to cross the stream during a flood. Be
this as it may, two faded effigies which tradition points to as theirs may
still be seen on the inside of the eastern parapet, and also the time-worn
figures "1, 2, 5, 2" which possibly denote the year in which the edifice
was constructed. This legend may be an historical fact, but the annals of
the venerable structure are few and fail to record it.
Although early occurrences
associated with the venerable piles are unchronicled, many a regal, many a
warlike, and many a devotional cavalcade has doubtless defiled across its
narrow path in times passed away, when it formed the principal if not the
only means of communication between the northern and southern banks of the
Ayr in the district; but a truce to speculation.
About 1785 the ancient
bridge began to display such symptoms of decay that the magistrates of Ayr
had it examined, and the result was, that it was pronounced no longer
capable of withstanding the strain of heavy traffic. At first they thought
of taking it down, but after considerable deliberation and negotiation, an
Act of Parliament was obtained which empowered them to build a new bridge,
and place a toll upon it, to refund the money expended on its
construction. In May, 1786, the first stone of this structure was laid,
but it was not until November, 1788, that the last was imbedded and the
whole work finished.
Mr. John Ballantyne,
banker, Ayr, a very warm friend, and a sincere admirer of the poetical and
personal merits of Robert Burns, was Provost during the time of its
erection, and took a deep interest in its progress. He generously offered
to advance the necessary funds to print a second edition of the poet’s
works. This, and many another kindness, seem to have been fully
appreciated by Burns, for in a letter to his earliest Ayr patron--Robert
Aiken--he says:-- "I would detest myself as a wretch if I thought I were
capable in a very long life of forgetting the honest, warm, and tender
delicacy with which he (Mr Ballantye) enters into my interests." Poets
have seldom more to give than a song, and at this most unfortunate and
vexatious period of his existence Burns had little else. However, as a
mark of his esteem and gratitude, he inscribed to him the clever dialogue
in which he makes the old and new bridges hurl all the opprobrious
epithets at each other a poet’s fancy could command, and thereby rescued
his name from oblivion. "The Brigs of Ayr" is one of our poet’s happiest
efforts, but little did he think when he penned it that he had put a
prophesy into the mouth of the presiding genii of the old bridge which
would be fulfilled to the letter before a century rolled into the vortex
of eternity. Mark the language. The hour is midnight, and
"The Goth is stalking round with
anxious search,
Spying the time-worn flaws in every arch,"
when his "new-come neebor"--in
course of erection some hundred and fifty yards farther down the
stream--catches his eye.
"Wi’ thieve less sneer to see his
modish mien,
He, doun the water, gies him thus guid-e’en:--
AULD BRIG.
"I doubt na, frien’, ye’ll think
ye’re nae sheep-shank,
Ance ye were streekit o’er frae bank to bank,
But gin ye be a brig as auld as me,
Though faith, that day I doubt ye’ll never see,
There’ll be, if that day come, I’ll wad a boddle,
Some fewer whigmaleeries in your noodle.
NEW BRIG
"Auld Vandal, ye but show your
little mense,
Just much about it wi’ your scantie sense;
Will your poor narrow footpath of a street,
Where twa wheelbarrows tremble when they meet,
Your ruined, formless bulk o’ stane and lime,
Compare wi’ bonnie brigs o’ modern time?
There’s men o’ tast wad tak the Ducat stream,
Though they should cast the very sark and swim,
Ere they wad grate their feelings wi’ the view
O’ sic an ugly Gothic hulk as you."
AULD BRIG.
"Conceited gowk, puffed up wi’
windy pride!
This mony a year I’ve stood the flood and tide;
And through wi’ crazy eild I’m sair forfairn,
I’ll be a Brig when ye’re a shapeless cairn!
As yet ye little ken about the matter,
But twa-three winters will inform ye better.
When heavy, dark, continued, a’-day rains,
Wi’ deepening deluges o’erflow the plains;
When from the hills where springs the brawling Coil,
Or stately Lugar’s mossy foundations boil,
Or where the Greenock winds his moorland course,
Or haunted Garpal draws his feeble source,
Aroused by blustering winds and spotting thows,
In mony a torrent down his snaw-broo rowes;
While crashing ice, borne on the roaring spate,
Sweeps dams, and mills, and brigs ‘ to the gate;
And from Glenbuck down to the Ratton-Key
Auld Ayr is just one lengthened tumbling sea--
Then down ye’ll hurl, deil nor ye never rise!
And dash the gumlie jaups to the pouring skies,
A lesson sadly teaching to your cost,
That Architecture’s noble art is lost!"
It came to pass as the Auld
Brig predicted. The "conceited gowk" is no more, and another equally
handsome bridge is "steekit o’er fraw bank to bank" in its stead. In
March, 1877, its masonry was found to be so rent and insecure that it was
condemned, and ordered to be taken down, but it was not until the 5th
of November same year that it was reduced to "a shapeless cairn." Then,
its parapets and packing being removed, the arches were blown up with
dynamite, and in the presence of a vast concourse of spectators assembled
to witness its overthrow, it fell into the bed of the river, a shattered,
formless mass of masonry.
Reader, do not smile at the
writer’s enthusiasm when he tell you that he not only crossed and
re-crossed the Old Bridge, bur curiously examined everything about it, and
what is more, leaned over the weather-worn parapet and watched the water
gliding from beneath the massive arches. He took a strange delight in
doing so, for to be where the admired bard of his country found a theme
for his muse gives one a more lively and vivid conception of the man, and
a clearer insight into his master mine.
Despite the boast of the
ancient edifice, its many good qualities are so far impaired that it is
only traversed by foot-passengers now, but notwithstanding, it appears
quite capable of bearing such "aboon the broo," and most likely will
perform the degenerate duty for many, many long years and that too despite
the assaults of time and the blustering wintry torrents which in the
course of nature may lash themselves into foam against its buttresses.
After lingering by the
celebrated edifice, I traversed a narrow, old-fashioned lane and entered
the High Street--a well-paved thoroughfare containing man large shops and
other places of business, and not a few buildings belonging to a former
age. An observant pedestrian finds much to interest him in a bustling
town, and objects to engage attenion are not wanting in "the auld toon o’
Ayr." Indeed, it will amply repay any person who has time to leisurely
examine it, and although its store of antiquities is not great, yet they
are worth hunting up and interesting when found.
For instance, I had
proceeded but a short distance along this, the chief artery of the town,
when my attention was attracted by a dumpy, ill-proportioned statue of the
hero Wallace, peering in serio-comic fashion from a niche in the side wall
of a corner tenement, which is said to occupy the site of the Tolbooth or
prison-house in which "Scotia’s ill-requited chief" languished after
killing Lord Percy’s steward. Blind Harry narrates the circumstances in "Buke
Secund" of his metrical life of Wallace, and states that he was brought so
low by damp and disease while immured that the gaoler during one of his
visits considered him dead, and had him tossed over the prison wall like
so much carrion. According to the minstrel, the gaoler’s mistake was the
means of preserving the patriot’s life, for being found by "his first
nurse," he was conveyed to her residence in Newton and concealed until
health and strength were regained.
There are many curious old
buildings in the vicinity of the tenement containing the statue referred
to, but none more so than those situated in an adjacent alley named Isle
Lane. One especially, which appears to have been the town residence of
some noble family, carries on as far back as the Elizabethan period.
Entering Kirk Port, a
narrow, but respectable lane branching off High Street nearly opposite
Newmarket Strett, I soon arrived at the gate of the quaint burying-place
surrounding the old Parish Church, a venerable building of considerable
interest, which stands on the site of the Grey Friars’ Convent, an
ecclesiastical edifice alluded to in a former chapter. The appearance of
the Churchyard is very striking as you enter it from the peculiarly
porched gateway which guards the entrance. Before you is the green uneven
sward studded with memorials of the departed, and a little way off the
church, a very plain, rude looking building with a jutting aisle which
bears date 1654. An interesting fact connected with this place of worship
is, that Oliver Cromwell contributed a sum of money toward defraying the
expense of its erection when he sacrilegiously turned the historic church
of Saint John (then the only place of worship in Ayr) into an armory and
built a portion of a fortification upon its burying-ground.
After surveying the
exterior of this curious structure I entered by a door which was
fortunately standing ajar and began to examine the interior without let or
hindrance, for the place was entirely deserted. My footfalls echoed
strangely through the vacant building, and the "dim religious light" which
streamed through the stained glass windows had a solemnizing effect upon
me, but I reverently advanced and leisurely examined the surroundings.
Although neither remarkable for beauty nor style of architecture, yet it
is much to be regretted that the interior of this old church has been at
various times altered so as quite to have changed its character. Indeed
"Improvement" have been carried on to such a degree that its ancient
appearance is entirely obliterated by the introduction of "whigmaleeries"
which newfangled notions have suggested. It has three galleries, or lofts,
which are designed the merchants’, the trades’, and the sailors’. That of
the sailors had the model of a full-rigged ship hanging in front of it,
but like every other characteristic feature, it is improved out of sight.
On either side of the pulpit are large windows filled with stained glass
of rich and interesting design. One is a memorial of John Welsh and
William Adair, ministers of the church in olden times. The design
illustrates the preaching of John the Baptist and the announcement of the
Navitiy by the angel to the shepherds of Bethlehem. One half of the other
window is a memorial of Lady Jane Hamilton, and other half is inscribed to
Charles Dalrymple Gairdner. The Scriptural groups are delineated and
wrought out with remarkable success, and the rich coloring, relieved by
blending shades of white glass, sheds a mellow pure light upon the
interior. The rest of the church need not detain us long. Besides these
brittle, but brilliantly coloured memorials of good men, there are several
monumental tablets on the walls which will repay examination, and also a
fine organ behind the neatly fitted up pulpit.
After viewing the interior
of the church, I began an interesting ramble through the churchyard, and
there scanned the memorial stones of several men who were friends and
associates of Burns, and others who have gained a kind of celebrity by
being alluded to in his poetry. For instance, close to the southern wall
of the church aisle rest the remains of the gentleman to whom the poet
inscribed "the Brigs of Ayr." The tablet which marks the spot bears the
following inscription:--"IN MEMORY OF JOHN BALLANTYNE, ESQR., OF
CASTLEHILL, BANKER INAYR, WHO DIED 15TH JULY, 1812, AGED 68."
Judging from records on two old stones at the foot of the grave, the
secluded nook seems to have been the burying-place of the Ballantynes for
several generations. Robert Chambers sums up this gentleman’s character in
few words. He says:--"There could not have been a nobler instance of
benevolence and manly worth than that furnished by Provost Ballantyne. His
hospitable mansion was known far and wide, and he was the friend of every
liberal measure." Robert Aiken, the poet’s earliest Ayr patron, rests near
the worthy Provost; and within a railed enclosure by the side of the
church are the graves of Drs. Dalrymple and M’Gill, the well-known heroes
of "The Kirk’s Alarm." The following is inscribed on the monumental slabs
to their memory:--
"TO THE MEMORY OF THE REV.
WILLIAM DALRYMPLE, D.D., MINISTER OF AYR, WHO DIED THE 28TH OF
JANY., 1814, IN THE 91ST YEAR OF HIS AGE, AND THE 68TH
OF HIS MINISTRY; AND OF SUSANNA HUNTER, HIS WIFE, WHO DIED THE 29TH
NOVR., 1809, AGED 83. ALSO, OF THEIR CHILDREN ELIZABETH, M’CRAE, AND
CHARLOTTE, WHO DIED INFANTS. OF RAMSAY, WHO DIED IN HER TENTH YEAR. OF
JAMES, THEIR ONLY SON, WHO DIED IN HIS TWENTIETH YEAR. OF SUSANNA, WHO
DIED 2ND JANY., 1817, INT HER 60TH YEAR; AND OF
SUANNA HUNTER STEWART, THEIR GRANDDAUGHTER, WHO DIED IN HER 12TH
YEAR."
"TO THE MEMORY OF THE
REVEREND WILLIAM M’GILL, D.D, THIS MONUMENT IS ERECTED BY THE MAGISTRATES
OF AYR, IN TESTIMONY OF THE SENSE WHICH THEY AND THE COMMUNITY THEY
REPRESENT RETAIN OF HIS DISTINQUISHED WORTH IN THE DISCHARGE OF THE
PASTORAL DUTIES OF THIS PARISH FOR A PERIOD OF 46 YEARS. HEAVEN CALLED HIM
HENCE ON THE 30TH DAY OF MARCH, 1807, IN THE 76TH
YEAR OF HIS AGE."
Dr. Dalrymple was senior,
and Dr. M’Gill junior minister of the parish church of Ayr, and during the
long period of their joint incumbency--forty-six years--the utmost corduality
existed between them.
Dr. Dalrymple is said to
have been a man of extraordinary benevolence and worth, and many strange
anecdotes are related regarding the philanthropic traits of his character,
but it was more than hinted during his lifetime that his views regarding
the Trinity were not altogether orthodox. Burns possibly had this in mind
when he penned the following stanza regarding him:--
"D’rymple mild, D’rymple mild,
Through your heart’s like a child,
And your life like the new-driven snaw;
Yet that winna save ye,
Auld Satan must have ye,
For preaching that three’s and twa."
As Dr. M’Gill raised the
"heretic blast" which gave Burns the key-note of the celebrated satire
"The Kirk’s Alarm," a somewhat fuller notice may be accorded him.. He was
born at Carsenestock, in the parish of Penninghame, Wigtownshire, on the
11th July, 1731, and was early destined for the Church of
Scotland. After receiving a preparatory education at the parish school, he
entered the Glasgow University, and in due time was fitted for the
ministry. Shortly after being licensed, the preached several times to the
congregation of the Parish Church of Ayr during a vacancy in the second
charge, and gave such universal satisfaction that at their earnest
solicitation he was inducted to the living on the 22nd October,
1761. Some two years after his settlement he married Elizabeth Dunlop, a
niece of his colleague Dr. Dalrymple--ad lady of a somewhat capricious
temperament, who had a small fortune of £700; but the sum being placed in
the Douglas and Heron bank, it was unhappily lost when that unfortunate
concern collapsed in 1772. To eke out his slender official income he
received boarders into his house, and many country families whose sons
were attending Ayr Academy availed themselves of the privilege of placing
them under his excellent supervision. His life may be said to have passed
without incident until the year 1786. The he published a theological work
entitled--A Practical Essay of the
Death of Jesus Christ, in two parts; containing (1), the History; (2), the
Doctrine of His Death. This bulky
octavo volume of 550 pages is dedicated to his colleague, the Rev. William
Dalrymple, D.D.; but it no sooner made its appearance than it was
denounced as a heretical publication. It was said to favour Arian and
Socinian doctrine, and declared contrary to the standard theology of the
Church of Scotland. It was attacked by the clergy and laity, and replied
to by pamphleteers. Indeed, many zealots in blind enthusiasm did their
utmost to crush the writer, and stifle freedom of thought in matters of
religion. Amid all this commotion, Dr. M’Gill remained silent, and never
so much as deigned to explain or defend the opinions which the work
contained until "Pebbles frae the water fit"--as Burns terms the Rev.
William Pebbles, D.D., minister of Newton-upon-Ayr--published a sermon
which he preached in commemoration of the Revolution of the 5th
November, 1788. In this he spoke disparagingly of Dr. M’Gill and his work,
and declared that "with one hand he was receiving the privileges of the
church, while with the other he was endeavoring to plunge the keenest
poignard into her heart"--a most unworthy charge certainly. War was now
declared between hitherto warm friends. Dr. M’Gill at once replied by
publishing the sermon which he delivered on the 5th November,
and along with it an appendix, in which he defended what he had written
and severely censured his accuser. Up to this time the Presbytery
exercised a prudent forbearance and took no notice of the controversy, but
the instant is assumed such a flagrant form steps were taken to vindicate
the standards of the church, and the case was laid before the Presbyterial
Court of Ayr in April, 1789--exactly three years after the publication of
the essay. Dr. M’Gill adhered to the opinions expressed in the work, and
continued to defend them, but ultimate an elaborate report was drawn up
which stated that the work contained heretical doctrines which were
entirely opposed to the standards of the church. Afterwards the case was
laid before the Synod which met in Glasgow on the 13th April,
1790; but, to the surprise of everybody, the Doctor requested that no
further proceedings should take place, apologized, and gave an explanation
of his views which entirely satisfied the assembled divines and ended the
discussion.
The memory of this
ecclesiastical squabble would have perished had not the satire of the bard
rescued it from the oblivion which shrouds many a similar rupture. He had
a keen relish for such conflicts, and doubtless watched this one with deep
interest, for his noble nature rebelled against the gloomy Calvinism of
his day. He wrote "The Kirk’s Alarm" in the very heat of the dissension
and circulated it in manuscript amongst his friends. In a letter to John
Logan, Es1., which contained a copy of the satire, and shows in what
direction his sympathies ran, he says "If I could be of any service to Dr.
M’Gill I would do it, though it should be at a much greater expense than
irritating a few bigoted priests; but as I am afraid serving him in his
present embarass is a task too hard for me;" and a letter to his friend,
Robert Graham of Fintry, containing another copy, he makes use of the
following language regarding the persecuted doctor: "I think you must have
heard of Dr. M’Gill, one of the clergymen of Ayr, and his heretical book.
God help him, poor man! Though he is one of the worthiest, as well as one
of the ablest of the whole priesthood of the Kirk of Scotland, in every
sense of that ambiguous term, yet the poor doctor and his numerous family
are in imminent danger of being thrown out to the mercy of the winter
winds."
This was the only eventful
chapter in the life of Dr. M"Gill. Besides his "Practical Essay on the
Death of Jesus Christ," he published various detached sermons, but none of
them seem to have attracted much attention. Robert Chambers states that
"he was a Socinian in principle, through not a desciple of Socinius, none
of whose works he had ever read. In his personal and domestic character he
was a strange mixture of simplicity and stoicism. He seldom smiled, but
often set the table in a roar by his quaint remarks. He was inflexibly
regular in the distribution of time: he studied so much every day, and
took his walk at the same hour in all kinds of weather. He played golf a
whole twelvemonth without the omission of a single week day, except the
three on which there are religious services at the time of the communion.
His views of many of the dispensations of Providence were widely different
from those of the bulk of society. A friend told him of an old clergyman,
an early companion of his own, who, having entered the pulpit in his
canonicals, and on being about to commence service, fell back and expired
in a moment. Dr. M’Gill clapped his hands together, and said-- ‘That was
very desirable; he lived all the days of his life.’"
Besides stones
commemorating contemporaries of Burns, there are others of engrossing
interest. One to the memory of the local martyrs mentioned in last
chapter, who died for principle during the era of the Persecution, bears
the following inscription:--"HERE LIES THE CORPSE OF JAMES SMITH,
ALEXANDER M’MILLAN, JAMES M’MILLAN, JOHN STEART, GEORGE M’KIRTNY, JNO.
GRAHAM, AND JOHN MUIRHEAD, WHO SUFFERED MARTYRDOME AT AIR 27TH
DECR., 1666, FOR THEIR ADHEREANCE TO THE WORD OF GOD AND SCOTLAND’S
REFORMATION. "THIS SMALL TRIBUTE TO THE ABOVE WAD DONE BY THE INCORPORATE
TRADES OF AIR, ANNO DOMIN, 1814. "FOR THE RIGHTEOUS SHALL BE KEEPIT IN
EVERLASING REMEMBERANCE.
"Here lie seven martyrs for our
Covenants,
A sacred number of triumphant saints,
Pontius M’Adam th’ unjust sentence past;
What is his own the world will know at last.
And Herod Drummond caus’d their heads affix,
Heaven keep a record of the fifty-six.
Boots, thumbing, gibbit were in fashion then,
Lord let us never see such days again."
Close to the above stone is
another to the memory of a Robert Cairns, shipmaster, Ayr, which bears the
following quaint rhyme:--
"Though Boreas’ blasts and heaving
waves
Has tost me to and fro,
Yet at the last of God’s decree
I harbour here below,
Where at an anchor I do rest
With many of our fleet,
Hoping for to set sail again
Our Admiral Christ to meet."
Before taking leave of the
old church and its graveyard, a few anecdotes of Daft Rab Hamilton--a
character of much local notoriety who was known the length and breadth of
the shire, may be related. Although long dead, his face and figure are
familiar to old people. He is described as having been an odd-like
personage above the ordinary height and about sixty years of age--that was
about the period of his death. He walked with a stoop and limped along
with a shuffling gait, he was in no way particular, for it depended very
much upon chance and charity as to how he was clothed. He usually wore a
battered and almost crownless hat, which he pressed down so far on his
head that the upper portion of his face was all but concealed--a
circumstance which caused him to blink and look upwards as if striving to
peer through its rim. Although imbecile, he was quick at repartee, and
often more pointed than pleasant in his remarks, but, upon the whole,
inoffensive and harmless, even when "half seas over;" for he dearly lo’ed
the whiskey, and would, it is said, have drunk a painful of water were he
certain of securing a glass of the coveted liquid at the bottom. "Gude
ale," he was not averse to, but "sour thing" he was extremely fond of, and
drank amazing quantities when chance afforded.
In spite of his penchant
for drink, Rab regularly attended church. He generally sat on the
pulpit stair, and reverently listened to "the Godly Maister Peebles" of
the Newton, for in his estimation he was the best of preachers. On one
occasion, however, he was persuaded to attend the Old Church of Ayr, and
took up his position on the pulpit stair, as was his custom in what he
termed his ain kirk. By some means he failed to catch the number of the
psalm given out, and in his eagerness to procure the place he thrust his
head through the stair rail to make the necessary enquiry at some people
below. All went well; he got the information, but unfortunately, having
put his head through a wide place of the rail and allowed his neck to slip
down into a narrow place, he found himself fast, and although he rugged
and tugged neither backward nor forward could he get. Ultimately, to the
great amusement of the congregation, he yelled out "Murder! murder! a man
a-hanging in the house of God this day. Oh! that I sud hae left my ain
guid, godly minister to come an’ listen to an auld blether like you."
Being assisted from his novel position, he picked up his hat and shuffled
off, muttering that better could not have happened him for coming to hear
the drones o’ the auld kirk. Some time after the occurrence, Mr Auld asked
him the reason of the disturbance, and having heard Rab’s explanation
said, "Never mind, Robert, come again and here me preach." "Na, na," quoth
he,"ye dinna preach, ye only read." Auld smiled.
On another occasion he was
met by the same gentleman and asked how he was getting on. "O brawly,"
replied Rab, as he blinked from under the broken rim of his hat, "but I
had an unco queer dream lat nicht." "A dream?" said Mr Auld, "and what was
it about, Robert?" "Atweel, sir," said he with a grin, "I thocht I was
dead, an’ that I was at the door o’ heaven rappin’ to get in, an’ whan the
door was opened the angel said, ‘Whaur are ye fae?’ ‘Frae the toon o’
Ayr,’ says I. ‘An’ what kirk did ye gang to?’ says he. ‘To that o’ the
godly Maister Peebles o’ the Newton,’ said I. ‘Ay, ay,’ said the angel,
‘come awa’ in then, for there hasna been a body here frae the auld kirk o’
Ayr sin’ the days o’ the gude Maister Walch.’" Having thus delivered
himself, Rab hilched away, leaving Mr Auld to draw whatever conclusion he
pleased. This dream became a favourite one and a source of profit to Rab,
for he was often called upon to relate it. Once he was stopped on the New
Bridge by a fop,who prevailed upon him to do so. While going on with the
rehearsal, the would-be wit interrupted him at the word Heaven, and
asked--"But what news from hell?" "Manm" said Rab, as he laid his hand on
his interrogator’s shoulder, "they’re expecting you there every day."
Upon one occasion a
character from Glasgow named "Daft Jamie" paid a visit to Ayr, and having
met with and found a kindred spirit in the redoubtable Rab, they agreed,
being equally daft, to splice their odd coppers and celebrate their
meeting with a drink of ale. Being "unco thick an’ pack heftier," they
repaired to a public house and called for a quart; but when the foaming
tankard was placed before them Rab laid hold of it and drank the contents
without taking a breath. "There!" said he, as he placed the can on the
table with a triumphant flourish, "there! that’s the Ayr fashion." "An
there!" cried the astonished companion, as he picked up the empty measure
and struck him a stounding blow on the head, "that’s the Glasgow fashion;"
and I suppose Rab thought it an odd one, but he afterwards apologized by
saying that he would not have drunk the ale had he not been desirous of
seeing the bonnie wee flower at the bottom.
Once when immured in the
Poorhouse, Rab listened attentively to a local clergyman asking a blessing
on the meager breakfast set before the paupers. He said nothing, but
seemingly thought much, for when it was concluded he edged up to the
divine and dryly said--"Deed, sir, I ay thocht there was a blessing wi’
the purishoose parritch, for when I tak a spoonfu’ oot the hole aye fills
up again."
Rab was very fond of money,
and would have done anything for it. The offer of a coin generally caused
him to smile all over; and its proper value he was fully alive to, as was
shown one day when a gentlemen present a six-pence and penny and old him
to select whichever he pleased. Rab looked, smiled blandly, and
said--"I’ll no be greedy, I’ll tak the little ane."
Waggery and poetry are
often combined, and in Rab Hamilton they were not apart, for he had the
reputation of being a maker of verses in a small way. It was glorious fun
for the boys when they caught him on the street to compel him to jump over
a straw or sing a song of his own composing. The poor fellow generally
preferred the leap, but if there was no alternative he would whine, groan
deeply, and cry--"Oh! de boys, de boys; oh! de boys," and then drawl away
in a nasal manner at one of his favourite ditties. One was a kind of squib
on a tailor who had offended him, and was entitled--"Ye ninth part o’ a
man." The following humorous fragment of this satire is remembered by a
venerable friend of the writer who knew Rab and appreciated this
drollery:--
"Once upon a time a tailor neat
an’ fine
Spied a louse on his left shouther bane;
He took up his shears and clippit of its ears;
The house gi’ed a road, an the tailor took the door;
But he cam back wi’ speed when he thocht the louse was deid:
Hit it ower the back wi’ an elwand,
An’ the tailor drew stitch again, again.
Noo the tailor being crouse that
he had killed a louse,
Jumped up an doon the floor, up an’ doon the floor,
Crying-’I kill a louse, I kill a louse’
And what can a poor tailor do more?"
"Blackguard Jamie Jellie,"
as another of Rab’s rhymes was styled, was composed on a small grocer who
attempted to raise the price of meal during a period of great scarcity,
but unfortunately it is irrecoverable, as also "Oswald’s Cavalrie," a
strain composed in praise of the deed of the Ayshire Yeomanry, who were at
the time under the command of Oswald of Auchincruive. The poor demented
creature’s life was a hard one. He preferred to roam about and pick a
precarious livelihood rather than submit to the restraint of the
poorhouse. The foxes had holes and the birds of the air nests, but Rab had
no fixed place of residence; he slept anywhere, and was in every sense of
the word a child of chance. One night he might pass in a stable among
straw, another in a hay-rick, or out of the way corner. Some days he fared
sumptuously, and picked up many savory scraps, and occasional waughts o’
"sour yill," but there were others again when he scarce broke his fast. He
was the only child of an excise officer, and was "born with a want." His
father died when he was a stripling, and his mother--to whom, it is said,
was ardently attached--died some years afterwards. After the latter event
here was no one to look after him, and he became a homeless wanderer,
going hither and thither through the country as fancy directed.
After a contemplative
ramble through this highly interesting churchyard, I passed through its
quaint-looking porched gateway, and continued my journey. |