L, Page 79. Highland Garb
Within these few years, an opinion has prevailed, that
the truis is the ancient garb of the Highlanders, and that the plaid,
kilt, and bonnet, are of modern invention. This opinion, adopted by many,
is supported by a writer in the Scots Magazine of 1798. This author
endeavours to prove that the plaid and philibeg must be modern, and
assigns, as a reason, that they are not mentioned by ancient authors; and
that, in all monumental figures and statues of the ancient kings of
Ireland, the kilt never appears as part of their garb. But as those
authors generally wrote in Latin, the words plaid and kilt could not
probably be expressed in appropriate terms ; and as the Irish kings were
not Highlanders, there appears no good reason for supposing that they
should be represented in kilts. The author of "Memoirs of a Cavalier"
says, that a body of 4,000 Highlanders, whom he saw with the Scotch army
in 1640, wore flat caps on their heads, called by them bonnets, long
hanging sleeves behind, and their doublets, breeches, and
stockings, of a kind of stuff they called plaids, striped across, red,
green, and yellow, with short cloaks of the same." Now, as this author
mentions neither truis nor kilt, it might be supposed that those articles
of dress were not in use so late as the reign of Charles I., that breeches
only were worn, and that truis and kilt were adopted since that period;
although it is well known that the truis is a very ancient, but not the
only ancient, dress of the Caledonians. Beague, in his History of the
Campaigns in Scotland in 1548 and 1549, printed in Paris, in 1556, states,
that at the siege of Haddington, in 1549, "they (the Scotch army) were
followed by the Highlanders, and these last go almost naked; they
have painted waistcoats, and a sort of wollen covering, variously
coloured." As the author wrote in French, perhaps he did not understand
the terms tartan, plaid, and kilt, and as the people wore painted
waiscoats and coloured coverings, it is probable, that, if they had
had the addition of truis, they would not have been described as "almost
naked." The author of "Certayne Matters" says, that in his days, (previous
to 1597), "they (the Highlanders) delighted much in marbled
clothes, specially that has long stripes of sundrie colours; their
predecessors used short mantles of divers colours, sundrie ways divided."
The author first mentioned states, that plaids and tartan came from
Flanders to the Lowlands of Scotland, in the sixteenth century, and thence
passed to the Highlands; but is it certain that tartan was known in
Flanders, and that tartan and the kilt were worn in the Lowlands, before
their supposed passage to the mountains? But allowing, what is very
improbable, that the fashion of striped and variegated clothes, or tartan,
came from Flanders, it must have been much earlier than the sixteenth
century; for we find by the chartularies of the Episcopal See of
Aberdeen, lately edited by John Graham Dalyel, Esq. that the statutes or
canons of the Scottish church, in the years 1242 and 1249, and the
ordinances and regulations of the See of Aberdeen, 1256, directs that all
ecclesiastics be suitably apparelled, avoiding red, green, stripped
clothing, and their garments not to be shorter than to the middle
of the leg. Now, this red green striped clothing must have been
tartan, and the forbidden garment worn shorter than to the middle of the
leg, the kilt.
But, to return to the article in the Scots Magazine, it
is stated, that the garb is called "beggarly, effeminate, (this, I
apprehend, is rather an unexpected characteristic,) grossly indecent and
absurd, "to say nothing of the tasteless regularity and vulgar glare of
tartan." [One of the most distinguished artists of the age, Mr West,
late President of the Royal Academy, differs from this opinion. He has
expressed his surprise at the blending and arrangement of the colours, and
considers, "that great art (that is to say, much knowledge of the
principles of colouring with pleasing effect) has been displayed in the
composition of the tartans of several clans, regarding them in general as
specimens of natural taste, something analogous to the affecting, but
artless strains of the native music of Scotland.''] The colours of the
tartan do not appear so red and glaring as the peers' robes, the military
uniforms, or the royal livery, which therefore cannot with propriety be
called vulgar, considering those who wear them. But this author's remarks
deserve no attention; and as on the whole, it is not probable that a
people, at so late a period, would assume a garb totally unknown in the
world, and in their cold climate put away the warm breeches, and expose
half their body to the blast, there are the better grounds for the
undivided opinion of the people themselves, that as far back as they have
any tradition, the truis, breachan-na-feal, (the kilted plaid,) and
philibeg, have ever been the dress of the Highlanders. The truis were used
by gentlemen on horseback, and by others as they were inclined, but the
common garb of the people was the plaid and kilt. This was the usual dress
down till the act passed for the suppression of the garb. When gentlemen
travelled southward, it was generally on horseback, consequently they wore
the truis, and were often in armour; of course the Lowlanders would the
more readily notice the former as a prominent part of the mountain garb,
and describe it accordingly.
[My great-grand-father's portrait is in complete armour,
with a full-bottomed wig reaching down nearly to his waist, according to
the fashion of King William's and Queen Anne's reigns. This portrait was
painted in London, where he never wore the Highland garb. Yet this is
given as an instance of the garb not being in use among gentlemen. Had his
picture been painted in the Highlands, it would probably have been done in
his usual dress, which was the tartan, &c.]