While the nation, throughout the length of the land,
in its capitals, county-towns and villages, is raising monuments to
the dead, whereon shall be perpetuated, in stone or bronze, the
material record of their names and deeds, another, and perhaps a
more spiritual memorial, is slowly taking shape, tablet by tablet,
through the loving labour of pious hands, in these intimate and
individual records of so many young men, some of them mere boys, who
have laid down their lives in the War.
It is well that the name of every soldier who died
for his country should be publicly preserved for the fortification
and gratitude of generations to come, but it is also well that we
should, if possible, treasure some more inward memento of the
misfortune we suffer in the loss of these young lives, cut off
before their ripening years; should conserve some more spiritual
record, not of their names only but of what they themselves
essentially were, some vision of their promise for the future, till
there shall arise, ad ceternam rei memoriam, a noble cenotaph—nay,
it is no cenotaph, no empty tomb we are thus erecting, for the very
spirit of the dead lives and breathes in these pages, and no one, in
the years to come, will justly measure the grievousness of war, the
sacrifice of the nation, who has not adequately realised the quality
of our fallen youth.
With all the inevitable imperfection and immaturity
of early manhood, the impatient challenge to authority and the past,
the restless reaching out beyond the borders, that may have caused
anxiety to their elders, these youths were our hope for the future,
the stuff from which our leaders were to be moulded. They had their
own ideals, and were shaping them to the requirements of the
approaching days. The social couche out of which so many of them
came ensured them, in spite of youth’s rebellious note, a deep
traditional bond with the past; the education so many had received
fitted them to take their place in the van of thought and action:
they embodied our hope that in the period of stress and ferment, the
inevitable sequel to the War, the statics and the dynamics of our
social evolution would work harmoniously together, that the
framework of our Empire would, thanks to them, hold good and resist
the forces of disruption.
These records are varied, of course, as youth itself
is varied, as the future career of those they commemorate would
doubtless have been varied; but they are one and all animated by a
noble and courageous spirit of devotion, and, though numerically
they fall far short of the dolorous roll, the spiritual quality of
the few may safely be taken as the measure of the many. The bloom of
physical youth, the aroma of spiritual flowering, the chances and
hazards, the vistas of life that lay before these young men, the
brilliancy that gave promises which might or might not have been
fulfilled, the perils of that
giovenil baldanza che fece, e poi disfece la speranza—
all lend a note of poignant regret to memoirs such as these.
But apart from the sense of personal and national
loss, records like the following possess considerable value from a
psychological as well as from a purely historical point of view.
Hitherto most of our wars have been waged by professional armies, by
men who have adopted arms as their calling, whose sole business in
life it was to fight; their energy was exhausted in their
professional functions; they were dumb and inarticulate on all that
lay outside their metier: but in the recent conflict the whole of
our youth, many of them with no natural aptitude for war and no
desire to adopt arms as a profession, were swept into the maelstrom,
and for the first time in history—unless perhaps it be in early
Greece— we get a close and true and lively picture of war as it
strikes a soldier in the fighting fine. These young men apply their
minds trained to other purposes, and their power of expression to a
record of their observations and emotions. Again, on the purely
historical side, the presence of articulate and highly intelligent
youths, actual eye-witnesses and participators in the actions they
record, cannot fail to be of signal service to the historian in
testing, checking, correcting formal official reports. What would we
not give for such records of Marlborough’s or Napoleon’s wars?
To pass from these general considerations, the
following pages give us a most vivid, faithful, and fascinating
portrait of one who, by general consent, was among the most
promising of our young men. His own letters home—so frank, so
joyous, so honest, so fearless, so characteristic, with clean,
sharp-cut phrases to convey the clear incisive thought, supplemented
as they are by the testimony of his masters and brother officers
—form the material for this engaging presentment of Henry Dundas.
It is not necessary, nor indeed is it possible, for
me to add to the picture ; but I may, perhaps, be allowed to give in
a few words my own reminiscent impression of that vivid personality.
Thinking of Henry Dundas, the characteristic which recurs most
persistently to my memory is the wonderful combination,
correspondence, interplay of mind and body. His lithe, clean-cut
figure, slim yet powerful, was the outward semblance and counterpart
of his inner self. Courageous, restless, wiry, quick in body, he was
fearless, inquisitive, challenging, subtle in mind. He constantly
reminded me of the o-Kv\aKe?, the worrying puppies of the Platonic
dialogue. And this remarkable fusion and unity of spiritual and
physical qualities made me often think of him as “Greek,” though I
would not have ventured to say so to him : had I done so, I can hear
his indignant snort. He might even have said, “Rot,” and almost
certainly, “Hoot man, just Scot ”; but in his heart he would have
thought it over indulgently, and understood that what I wanted to
say was merely this: that the fine flower of youth is probably much
alike, essentially, in all ages and in every clime, and that Greek
youth has achieved immortality.
I do not think that Henry had a conscious instinct
for the military career before he joined. “War and soldiering,” he
says of a friend, “were no more his nature than they were mine”; but
these letters show him, quickly and to his own surprise, discovering
his natural aptitude for that noble profession of arms which we are
not yet past admiring in spite of all its inevitable concomitant
horrors, and in spite of our Utopian aspirations towards a blessed
state of universal peace. It is this unsuspected aptitude, latent in
so many of our young men, that led Moltke to reply—when some one
remarked that the British were not a military race—“No, but very
warlike.” The art of war, its problems of strategy and of tactics,
embracing such ground factors as geography and implying historical
studies, the profound humanity of soldiering with its elimination of
artificial class-distinctions, its recognition of grit-worth as its
sole distinction in all ranks, which ought to be, and sometimes is,
the dominant ideal, appealed powerfully to his imagination, and
satisfied his sense of reality. “The man’s the man for a’ that.” The
conflict between this love of his profession and his revolt against
the folly, waste, and uselessness of war, bit deeply into his soul,
and make these letters both profoundly interesting psychologically
and characteristic of the attitude of mind which must have largely
prevailed among those fine spirits his contemporaries. Henry’s
lucidity of thought and fairness of judgment, coupled with his
artistic delight in the technique of his profession, led him to a
generous acknowledgment of the quality of our foes in matters
pertaining to the art of war.
Scotland and Eton were the master lights of all his
being, upheld him, cherished, and had power to stir the deepest
chords of his nature. “What a heritage!” he exclaims when thinking
of Eton; and I can still hear the passionate devotion he threw into
that blessed word “Gorgie.” Eton and Scotland gave him his friends
in whom he was so rich, of whom he was so worthy: we know and feel
through him 44 this leash of noble comrades” from whom he learned,
to whom he taught that high conception of friendship which he
expresses with so much beauty in his letters on the death of Ralph
Gamble. “Lovely and pleasant were they in their lives, and in their
deaths they were not divided.”
HORATIO F. BROWN |