I THINK it may be useful to follow up Mr
Linn's delightful paper with the little knowledge I possess on
this head. I have a right to speak on the subject, seeing that
in my very early life when about six years of age I acted the "Peerman"
often when living at my grandfather's house in Corriebeag. I
have held the fir torch in the byre when the servant was milking
the cows, and I have accompanied her to the river, holding it
when she went for her stoupfuls of water. At the slack time of
the year the men of each household went to dig the roots of the
fir trees out of the bogs, and they were placed uncut to dry, on
what was called a "farradh." When winter came and lights were
required, stock after stock was taken down and cut into neat,
small candles, and if there was a very knotty stock it was
called "stoc suiridhich," and carefully laid aside, to be given
to some young man when his patience as a husband was to be
tested, by the calmness he manifested over this very trying and
difficult ordeal. A "leus," or torch of fir, was a sure
protection against ghosts or evil spirits.
When, at that time I referred to, I lived at
Corriebeag, Locheil-side, the nearest house to us was occupied
by a woman who was considerably above a
hundred years old. She had all her faculties and the force of a
young woman until within three days of her death.
She was not an amiable woman,
her temper was something awful, and she could improvise
and compose verses of the most sarcastic and scurillous sort up
to the last day of her life. When the centenary of Prince
Charles Stuart's raising his standard at Glenfinnan was held at
that historic spot, the ladies and gentlemen
driving past little dreamed that in a little hut by the
roadside a withered old crone lived who
actually remembered the gathering they commemorated, and
who had seen Bonnie Prince Charlie at the
head of his men. This old woman's grandson and his wife lived
with her, and when the great-grandchildren
were born she was sorely exercised on their account, in case the
fairies might steal them, and among the
other spells used by her to save her descendants from so sad a
fate, she charred a piece of fir in the fire, and
made the sign of the cross with it daily on the infant.
At the Dark Mile
near Loch-Arkaig there are two hillocks, called respectively
Tor-a-Mhuilt and Tor-a-Chronain. The low
wailing sounds heard there the sobbing of the winds, the
rustling of the leaves, the wimpling of brooks, and the waving
of the branches of the trees, made the
poetic and imaginative people of the country think they were
hearing the dead holding converse in low whispering tones with
one another.
They
put it thus in a saying that has
been handed down
"Tor-a-Mhuilt is Tor-a-Chr6nain,
Far am bi 'na mairbh a comhradh."
The
road leads between these low
hills, and one night when a
man was passing there, carrying the head of an
enemy he had slain, a voice
came to him alternately from each hill, saying "Fag
an ceann," "Leave the head;" to which request he each
time replied, "Cha'n fhag mi 'n ceann," "I will not leave the
head." At length the cry from each hill
was "Mur bhi' dhomhsa
an leus giubhais tha os do chionn dh'fhagadh tu da cheann,"
"If it were not for the fir torch you hold above you, you would
leave two heads." That meant, of course, that he would leave his
own head as well as the other. But he had
taken the precaution of having a fir torch to light him on his
way, as well as to protect him from harm, and his faith had its
reward.
I have seen the bark of the birch used for
light. They did not go to the
wood to seek it for that purpose, but if a
birch tree was being used, the bark was retained for light,
along with the fir, or alone. The bits
were dipped in grease or oil, each being called "beileag."
The Gaelic
name for the "roughy," or "ruffy," is "buaichd,"
and I have often seen one made to give
light during supper and the reading of the chapter ; it was, of
course, blown out when all knelt in
prayer. Another improvised light of this sort is the "coinneal
ghlas." The grease is placed in a piece of
old white cotton, and rolled into the shape of a candle. It
gives a splendid light, but does not last long. I heard the
following anecdote told about the "coinneal ghlas," or "grey
candle:" Some Englishmen were passing the
night at King's House, in the Black Mount, and were complaining
bitterly of the miserable light afforded them by one lean,
sputtering tallow candle, when a
Highlander joined them. He, too, said he thought they were badly
used in being supplied by this light, that only
made the darkness visible, and on going out for a moment,
he asked the landlady to make six large
candles of the "coinneal ghlas" kind, and bring them to him all
lighted when he called for them. He
returned to the Englishmen; and, by-and-bye, they rose to go to
bed, and the Highlander said he had to sit up late, having some
writing to do; and added "I must get better light." "If you
can," said one of the strangers, with a sneer.
The Highlander forthwith ordered in "six candles with the
wicks on -the outside." "Candles with the wicks on the outside,"
echoed all the Englishmen simultaneously in great surprise, and
when they saw the blaze that surrounded
the Highlander with those candles on his table, they went off to
bed muttering something worse than "Well, I never."
They did not know
that the candles were blown out the moment
after they left the room, nor how short a
time they would last, even if they were left lighted.
The
lowest form of artificial light in
the Highlands was the following: When the fire was getting
spent, two or three fresh peats were put on, and
when the side next the fire of those got charred, the cry
"Tiondaidh foid," "Turn a peat," was given to the person most
conveniently situated for that performance. Even
that was better than the contentment with total darkness
that existed in some districts. I have heard it said that in
Blarmacfaoildeach, in Lochaber, when
supper was ready, that the goodwife of the house used to go
about groping for a hand, saying "Fair do lamh;" and having
found the searched-for member, she placed a bowl in it, saying "So
do shuipeir." Verily, it might be said of each one
who partook of that meal, "Great is thy
faith."
It is interesting to know, that it was cannel
coal that Robert Burns used, and that by its light he wrote the
greater number of his poems.
The iron with which he used to break off
the charred parts, in order to get a fresh blaze, was long in
the possession of an old lady who is a
personal friend of mine. She spent some years of her girlhood
with Bonnie Jean, as companion to the poet's grand-daughter
Sarah, and she gave this interesting bit of iron to some
museum I think in Jedburgh.